lawrence lessig

Colbert: You say our copyright laws are turning our kids into criminals, because they're keeping kids from doing all the remixing they want of pre-existing art and copywritten material, right?

Isn't that like saying that arson laws are turning our kids into pyromaniacs?? They're breaking the law! You can't just throw the law out the window!

Lessig: "Totally failed war." Is that familiar to you?

Colbert: No. No. You're saying we need a surge?

Lessig: We tried the surge. For ten years we've been waging this war. Artists have not gotten any more money, businesses have not gotten any more profit, and our kids have been turned into criminals.

Soon after an inauguration that Washington, D.C., insiders are speculating could be one of the musical events of the year, Obama will officially name a copyright czar -- one of the most important decisions he'll make, as far as the music business is concerned.

That position -- officially known by the less glamorous-sounding title of intellectual property enforcement coordinator -- was created by the Prioritizing Resources and Organization for Intellectual Property Act, signed in mid-October. The law is aimed at coordinating the anti-piracy efforts of such disparate agencies as the Department of Justice, the Patent and Trademark Office and the U.S. Trade Representative.

...

Stanford law professor Lawrence Lessig, a vocal advocate of radically reduced copyright restrictions, served as a technology adviser to Obama's primary campaign but hasn't held an advisory role since.

Somehow I don't think this will ever happen.

ASCAP's essay, "Common Understanding: 10 Things Every Music Creator Should Know About Creative Commons Licensing" nicely highlights some important considerations that any musician should review before using a CC license. Unfortunately, however, it also continues some common misunderstandings about Creative Commons. I've reprinted, and responded, to these in the extended entry below. But before the details, there is one important fact of agreement to keep in view, and one important disagreement:

We certainly agree with ASCAP that "music creators should fully understand the terms to which they are agreeing and the implications down the line." That applies to CC licenses as much as to a recording contract. And we're as keen as anyone to make sure that understanding is there.